New site! Actually, old site. To celebrate 10 years of Goodhertz, we’ve revived our original site design from 2014. Read more.
Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Click on a plugin to reveal it.
Click again to read more.
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Testimonials

Wow control sounds better than my ✲actual✲ tape machine (or the other 10 hardware pedals I have that emulate warble/tape effects for that matter).

Rafael Anton Irisarri

Black Knoll Studio

OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.

Tchad Blake

Multi-Grammy winning mix engineer (U2, Sheryl Crow, Peter Gabriel, Elvis Costello, The Black Keys, Cibo Matto)

Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.

Matthewdavid

Musician & Co-Founder of Leaving Records

Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.

Ingmar Carlson

Grammy-nominated mix engineer — Bosco, Lennon Stella, Nasty Cherry, VanJess

I absolutely adore your plugins. VulfCompressor is my favourite compressor by far and I used it extensively on my sounds to the recent Wolfenstein games. PanPot sits on almost every channel and is the best way I’ve found to quickly dial in a space for anything. Faraday is my new favourite goodie that sits on the mixbuss and it does all sorts of snappy things that really bring a groove to life. I love it all!!!

Mick Gordon

Composer & Sound Designer (Wolfenstein: The New Order, DOOM)