Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
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Testimonials

Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter.

Gus Berry

Producer & mix engineer. Writer for TapeOp

I use Goodhertz plugins on every mix that I do. Lohi is my go-to filter, Vulf Compressor lives on my drum buss in varying amounts of wet/dry, and Wow Control and Lossy are instant vibe enhancers on so many sounds. I’m constantly finding new ways to use this stuff- like recently I automated Trem Control on a lead vocal to give it some tempo synced bounce and it really brought it to life. The GUI’s are beautiful and intuitive, and the way every plugin is some hybrid of eq/dynamics/tone gives them all such great utility. Truly can’t say enough good things.

Ryan Gilligan

Kevin Garrett, rum.gold, Anthony Ramos

I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.

Chris Fogel

Tenet, Black Panther, The Mandalorian, Creed II, Childish Gambino, St. Vincent

I use Vulf Compressor on pretty much every song I make. I love it for bass, drums, guitar, and keys in particular. It brings out a particular warmness that I have not found in any other compression. It makes everything so much more buttery and old-school without diminishing the quality of sound. I love to use the Lohi plugin on backup vocals. I use the “tiney” setting often to create a distant and whispery atmosphere. I also use Lohi on drums, sometimes for a more muted and understated drum sound, which I like for certain ambient-style tracks. Goodhertz makes some of my favorite plugins! They truly elevate the sounds to the next level.

Salami Rose Joe Louis

On the outside it may look like a Volvo, but under the hood it’s a monster truck!!

Michael Brauer

Multi-Grammy winning mix engineer (Coldplay, John Mayer, Brazilian Girls, Bob Dylan, David Byrne, Paul McCartney)