Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
Image of the user interface of LA-210
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Testimonials

Your plugins have been my rock. I don’t use anything else if I can get away with it. Megaverb and Lossy in particular go on most tunes.

Scott Harper

a.k.a KNOBS

I stopped using bass amps once I got Tupe.

Gabe Wax

Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick

Trem Control is possibly the single most-used plugin on the Son Lux score for Thunderbolts*, and it’s all over my score for Marathon. I often use chains of Trem Control instances to imbed propulsive subdivisions, cause destabilizing rhythmic counterpoint, and to gracefully navigate metric modulations. I was using Trem Control before I paused to write this quote.

Ryan Lott

Founding member of Son Lux: Everything Everywhere All at Once (2022), Thunderbolts* (2025)

Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.

Spencer Stephenson

AKA Botany, Austin producer

Goodhertz plugins have been my not so secret sauce plugins for almost ten years now, they’re all over many Coldplay productions.

Rik Simpson

Grammy Award winning producer, mixer, and musician (Coldplay, Jon Hopkins, Jay-Z)