Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
Image of the user interface of LA-210
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Testimonials

I use Goodhertz plugins on every mix that I do. Lohi is my go-to filter, Vulf Compressor lives on my drum buss in varying amounts of wet/dry, and Wow Control and Lossy are instant vibe enhancers on so many sounds. I’m constantly finding new ways to use this stuff- like recently I automated Trem Control on a lead vocal to give it some tempo synced bounce and it really brought it to life. The GUI’s are beautiful and intuitive, and the way every plugin is some hybrid of eq/dynamics/tone gives them all such great utility. Truly can’t say enough good things.

Ryan Gilligan

Kevin Garrett, rum.gold, Anthony Ramos

Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.

Spencer Stephenson

AKA Botany, Austin producer

Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.

Ingmar Carlson

Grammy-nominated mix engineer — Bosco, Lennon Stella, Nasty Cherry, VanJess

I stopped using bass amps once I got Tupe.

Gabe Wax

Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick

Your plugins have been my rock. I don’t use anything else if I can get away with it. Megaverb and Lossy in particular go on most tunes.

Scott Harper

a.k.a KNOBS