Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
Image of the user interface of LA-210
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Testimonials

I am currently using both Vulf Compressor and Wow on a project to get lo-fi crunch on drums that I couldn’t get any other way. I have also used Wow instead of normal chorus plugins to widen and separate sounds. I like different and quirky things to stand out from the crowd.

Khaliq Glover

I absolutely love my options while using Goodhertz plugins. I love adding some grit to a sample using Lossy and Wow Control to give it some serious character. Goodhertz gives me every color in the coloring box.

Melvin “Chaos” Lewis

Multi-Platinum Producer (Jaden Smith “Icon”/”Plastic,” Black Eyed Peas, Logic, The Roots)

The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!

Jake Aron

Goodhertz is giving engineers tools they need in the modern age. There’s so much character built into these plugins. Vulf Compressor is amazing at warming up really cold, digital feeling recordings. I can’t count how many times Goodhertz has saved me.

Matt Green

Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.

Matthewdavid

Musician & Co-Founder of Leaving Records