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Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.
Grammy-nominated mix engineer — Bosco, Lennon Stella, Nasty Cherry, VanJess
Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.
Wow control sounds better than my ✲actual✲ tape machine (or the other 10 hardware pedals I have that emulate warble/tape effects for that matter).
Black Knoll Studio
I use Vulf Compressor on pretty much every song I make. I love it for bass, drums, guitar, and keys in particular. It brings out a particular warmness that I have not found in any other compression. It makes everything so much more buttery and old-school without diminishing the quality of sound. I love to use the Lohi plugin on backup vocals. I use the “tiney” setting often to create a distant and whispery atmosphere. I also use Lohi on drums, sometimes for a more muted and understated drum sound, which I like for certain ambient-style tracks. Goodhertz makes some of my favorite plugins! They truly elevate the sounds to the next level.
On the outside it may look like a Volvo, but under the hood it’s a monster truck!!
Multi-Grammy winning mix engineer (Coldplay, John Mayer, Brazilian Girls, Bob Dylan, David Byrne, Paul McCartney)