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Image of the user interface of Vulf Compressor
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Testimonials

I use Vulf Compressor on pretty much every song I make. I love it for bass, drums, guitar, and keys in particular. It brings out a particular warmness that I have not found in any other compression. It makes everything so much more buttery and old-school without diminishing the quality of sound. I love to use the Lohi plugin on backup vocals. I use the “tiney” setting often to create a distant and whispery atmosphere. I also use Lohi on drums, sometimes for a more muted and understated drum sound, which I like for certain ambient-style tracks. Goodhertz makes some of my favorite plugins! They truly elevate the sounds to the next level.

Salami Rose Joe Louis

I absolutely love my options while using Goodhertz plugins. I love adding some grit to a sample using Lossy and Wow Control to give it some serious character. Goodhertz gives me every color in the coloring box.

Melvin “Chaos” Lewis

Multi-Platinum Producer (Jaden Smith “Icon”/”Plastic,” Black Eyed Peas, Logic, The Roots)

I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.

Chris Fogel

Tenet, Black Panther, The Mandalorian, Creed II, Childish Gambino, St. Vincent

Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.

Matthewdavid

Musician & Co-Founder of Leaving Records

Goodhertz plugins have been my not so secret sauce plugins for almost ten years now, they’re all over many Coldplay productions.

Rik Simpson

Grammy Award winning producer, mixer, and musician (Coldplay, Jon Hopkins, Jay-Z)