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Testimonials
On the outside it may look like a Volvo, but under the hood it’s a monster truck!!
Multi-Grammy winning mix engineer (Coldplay, John Mayer, Brazilian Girls, Bob Dylan, David Byrne, Paul McCartney)
As a producer & mixer, I naturally lean toward destruction while still being very much in touch with the sonic infrastructure of what is at hand. Goodhertz plug-ins are the dream paint to my any canvas. They drip from everything I create…be it a big fat mess or a tight tidy corner. I just can’t stop reaching for them. every single color quenches my thirst for art. Get them all.
Miya Folick, Kim Gordon, Angel Olsen
I stopped using bass amps once I got Tupe.
Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick
The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!
these plugins are instant sonic palette extenders. I’m finding inspiration in the most unexpected places, especially when cueing up Tupe and Megaverb. wow!
hand habits, yes/and