Modern Interfaces & Excellent Audio

Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.

The Goodhertz plugins, I really like, because they somehow spark more creativity, rather than trying to emulate something in particular.

You’ve created something really great here. I’m really a geek when it comes to certain things, like music, but not when it comes to technical stuff, even if I produce a lot of music. There must be a lot of engineering hours behind everything Goodhertz, but the result for a tech failure such as myself is something that feels musical. I’ve tried most of the plugins now, and they really inspire me in the same way an old worn out guitar or bashed out drums does. I can make music with them, rather than make mixes, and that is how I like to work with this sort of stuff.

The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]!

Your plugins have been my rock. I don’t use anything else if I can get away with it. Megaverb and Lossy in particular go on most tunes.