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Testimonials
I stopped using bass amps once I got Tupe.
Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick
I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.
Oppenheimer, Tenet, Black Panther, The Mandalorian, Childish Gambino, St. Vincent
CanOpener takes a great pair of headphones and makes them translate to speakers even better by introducing a little bit of crossfeed. What I like about Goodhertz take on this type of utility is they don’t introduce any type of correction or IR room simulation which has never worked for me.
I use Vulf Compressor on pretty much every song I make. I love it for bass, drums, guitar, and keys in particular. It brings out a particular warmness that I have not found in any other compression. It makes everything so much more buttery and old-school without diminishing the quality of sound. I love to use the Lohi plugin on backup vocals. I use the “tiney” setting often to create a distant and whispery atmosphere. I also use Lohi on drums, sometimes for a more muted and understated drum sound, which I like for certain ambient-style tracks. Goodhertz makes some of my favorite plugins! They truly elevate the sounds to the next level.
The Goodhertz plugins, I really like, because they somehow spark more creativity, rather than trying to emulate something in particular.
Emmy Award-winning film composer (The White Lotus, Black Mirror, Utopia, Babygirl)