Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
Image of the user interface of LA-210
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Testimonials

Wow control sounds better than my ✲actual✲ tape machine (or the other 10 hardware pedals I have that emulate warble/tape effects for that matter).

Rafael Anton Irisarri

Black Knoll Studio

Trem Control is possibly the single most-used plugin on the Son Lux score for Thunderbolts*, and it’s all over my score for Marathon. I often use chains of Trem Control instances to imbed propulsive subdivisions, cause destabilizing rhythmic counterpoint, and to gracefully navigate metric modulations. I was using Trem Control before I paused to write this quote.

Ryan Lott

Founding member of Son Lux: Everything Everywhere All at Once (2022), Thunderbolts* (2025)

I’ve been using their plug‑ins for years. The Lossy plug‑in is probably my favourite. It kind of effs up the audio, which is what I like about it.

Charlie Handsome

Multi-platinum producer & songwriter (Post Malone, Jack Harlow, Travis Scott, Juice WRLD)

I am currently using both Vulf Compressor and Wow Control on a project to get lo-fi crunch on drums that I couldn’t get any other way. I have also used Wow Ctrl instead of normal chorus plugins to widen and separate sounds. I like different and quirky things to stand out from the crowd.

Khaliq Glover

Producer, Mix Engineer: Prince, Michael Jackson, Herbie Hancock, Justin Timberlake

I stopped using bass amps once I got Tupe.

Gabe Wax

Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick