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Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
Image of the user interface of LA-210
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Testimonials

I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.

Chris Fogel

Oppenheimer, Tenet, Black Panther, The Mandalorian, Childish Gambino, St. Vincent

These Goodhertz plug-ins are amazing! I wish I found these earlier in my career to use in my mixing and creative audio processes. The Lossy and the Wow control effects are great for adding a special touch to elements in the mix, and the Midside plug-in is amazing for adding width to all sorts of sounds. Bravo on the creation of these effects Goodhertz. Highly recommend!!

Justin Merrill

Two time Grammy-winning engineer

Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.

Spencer Stephenson

AKA Botany, Austin producer

You’ve created something really great here. I’m really a geek when it comes to certain things, like music, but not when it comes to technical stuff, even if I produce a lot of music. There must be a lot of engineering hours behind everything Goodhertz, but the result for a tech failure such as myself is something that feels musical. I’ve tried most of the plugins now, and they really inspire me in the same way an old worn out guitar or bashed out drums does. I can make music with them, rather than make mixes, and that is how I like to work with this sort of stuff.

Petter Nygårdh

Founder, Strangers Candy

Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter.

Gus Berry

Producer & mix engineer. Writer for TapeOp