Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
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Testimonials

These Goodhertz plug-ins are amazing! I wish I found these earlier in my career to use in my mixing and creative audio processes. The Lossy and the Wow control effects are great for adding a special touch to elements in the mix, and the Midside plug-in is amazing for adding width to all sorts of sounds. Bravo on the creation of these effects Goodhertz. Highly recommend!!

Justin Merrill

Two time Grammy-winning engineer

I absolutely love my options while using Goodhertz plugins. I love adding some grit to a sample using Lossy and Wow Control to give it some serious character. Goodhertz gives me every color in the coloring box.

Melvin “Chaos” Lewis

Multi-Platinum Producer (Jaden Smith “Icon”/”Plastic,” Black Eyed Peas, Logic, The Roots)

Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.

Matthewdavid

Musician & Co-Founder of Leaving Records

Goodhertz plugins have been my not so secret sauce plugins for almost ten years now, they’re all over many Coldplay productions.

Rik Simpson

Grammy Award winning producer, mixer, and musician (Coldplay, Jon Hopkins, Jay-Z)

Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.

Spencer Stephenson

AKA Botany, Austin producer