Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
Image of the user interface of LA-210
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Testimonials

Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter.

Gus Berry

Producer & mix engineer. Writer for TapeOp

The Vulf and Wow Control have been on every mix I’ve done lately in no small way. Really powerful yet incredibly fun and musical tools!

Jon Castelli

Khalid, 6lack, Nicki Minaj, Macklemore, Ariana Grande

The Goodhertz plugins, I really like, because they somehow spark more creativity, rather than trying to emulate something in particular.

Cristóbal Tapia de Veer

Emmy Award-winning film composer (The White Lotus, Black Mirror, Utopia, Babygirl)

Thank you for making audio so damn fun. It’s a joy to automate your plugins to my heart’s content, and to know it’s going to hold up under pressure. No clicks, no surprises.

Kidfue

I stopped using bass amps once I got Tupe.

Gabe Wax

Producer, Musician, Mix Engineer: Spoon, Soccer Mommy, Miya Folick