Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
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Testimonials

Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.

Matthewdavid

Musician & Co-Founder of Leaving Records

these plugins are instant sonic palette extenders. I’m finding inspiration in the most unexpected places, especially when cueing up Tupe and Megaverb. wow!

meg duffy

hand habits, yes/and

I absolutely love my options while using Goodhertz plugins. I love adding some grit to a sample using Lossy and Wow Control to give it some serious character. Goodhertz gives me every color in the coloring box.

Melvin “Chaos” Lewis

Multi-Platinum Producer (Jaden Smith “Icon”/”Plastic,” Black Eyed Peas, Logic, The Roots)

These Goodhertz plug-ins are amazing! I wish I found these earlier in my career to use in my mixing and creative audio processes. The Lossy and the Wow control effects are great for adding a special touch to elements in the mix, and the Midside plug-in is amazing for adding width to all sorts of sounds. Bravo on the creation of these effects Goodhertz. Highly recommend!!

Justin Merrill

Two time Grammy-winning engineer

Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter.

Gus Berry

Producer & mix engineer. Writer for TapeOp