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Testimonials
Probably every single Ableton session that I open up, whether I’m making my own music or enginering something — mastering or mixing for another artist or my own music — I put the Vulf Compressor on, usually the master.
Musician & Co-Founder of Leaving Records
OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.
Multi-Grammy winning mix engineer (U2, Sheryl Crow, Peter Gabriel, Elvis Costello, The Black Keys, Cibo Matto)
I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.
Oppenheimer, Tenet, Black Panther, The Mandalorian, Childish Gambino, St. Vincent
Apart from how insanely good all of these plugins sound, the GUIs are also some of the most intuitive and logical out there right now. It’s the future.
Grammy-nominated mix engineer — Bosco, Lennon Stella, Nasty Cherry, VanJess
Goodhertz plugins have been my not so secret sauce plugins for almost ten years now, they’re all over many Coldplay productions.
Grammy Award winning producer, mixer, and musician (Coldplay, Jon Hopkins, Jay-Z)