Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
Image of the user interface of VCME
Image of the user interface of VCME Soft Clip
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Testimonials

CanOpener takes a great pair of headphones and makes them translate to speakers even better by introducing a little bit of crossfeed. What I like about Goodhertz take on this type of utility is they don’t introduce any type of correction or IR room simulation which has never worked for me.

John Tejada

The Goodhertz plugins, I really like, because they somehow spark more creativity, rather than trying to emulate something in particular.

Cristóbal Tapia de Veer

Emmy Award-winning film composer (The White Lotus, Black Mirror, Utopia, Babygirl)

Goodhertz is giving engineers tools they need in the modern age. There’s so much character built into these plugins. Vulf Compressor is amazing at warming up really cold, digital feeling recordings. I can’t count how many times Goodhertz has saved me.

Matt Green

I absolutely adore your plugins. VulfCompressor is my favourite compressor by far and I used it extensively on my sounds to the recent Wolfenstein games. PanPot sits on almost every channel and is the best way I’ve found to quickly dial in a space for anything. Faraday is my new favourite goodie that sits on the mixbuss and it does all sorts of snappy things that really bring a groove to life. I love it all!!!

Mick Gordon

Composer & Sound Designer (Wolfenstein: The New Order, DOOM)

I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.

Chris Fogel

Oppenheimer, Tenet, Black Panther, The Mandalorian, Childish Gambino, St. Vincent