New site! Actually, old site. To celebrate 10 years of Goodhertz, we’ve revived our original site design from 2014. Read more.
Image of the user interface of CanOpener Studio
Image of the user interface of Vulf Compressor
Image of the user interface of Tone Control
Image of the user interface of Trem Control
Image of the user interface of Lossy
Image of the user interface of Lohi
Image of the user interface of Faraday Limiter
Image of the user interface of Panpot
Image of the user interface of Good Dither
Image of the user interface of Midside
Image of the user interface of Tiltshift
Image of the user interface of Midside Matrix
Image of the user interface of Wow Control
Image of the user interface of Megaverb
Image of the user interface of Tupe
Image of the user interface of Tupe Wow
Image of the user interface of Loudness
Image of the user interface of DC19
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Testimonials

I use Vulf Compressor on pretty much every song I make. I love it for bass, drums, guitar, and keys in particular. It brings out a particular warmness that I have not found in any other compression. It makes everything so much more buttery and old-school without diminishing the quality of sound. I love to use the Lohi plugin on backup vocals. I use the “tiney” setting often to create a distant and whispery atmosphere. I also use Lohi on drums, sometimes for a more muted and understated drum sound, which I like for certain ambient-style tracks. Goodhertz makes some of my favorite plugins! They truly elevate the sounds to the next level.

Salami Rose Joe Louis

The Vulf and Wow Control have been on every mix I’ve done lately in no small way. Really powerful yet incredibly fun and musical tools!

Jon Castelli

Khalid, 6lack, Nicki Minaj, Macklemore, Ariana Grande

These Goodhertz plug-ins are amazing! I wish I found these earlier in my career to use in my mixing and creative audio processes. The Lossy and the Wow control effects are great for adding a special touch to elements in the mix, and the Midside plug-in is amazing for adding width to all sorts of sounds. Bravo on the creation of these effects Goodhertz. Highly recommend!!

Justin Merrill

Two time Grammy-winning engineer

I ended up using several Goodhertz plugins all over the Tenet score and now I want more! Panpot alone was a lifesaver because we recorded the entire orchestra individually from each player’s home. The spectral panning was a major assist.

Chris Fogel

Tenet, Black Panther, The Mandalorian, Creed II, Childish Gambino, St. Vincent

Man. Where do I begin? This stuff allows me to do everything in the box, stuff that used to take four times as long as it needed to, like bouncing my projects through the SP404 or tape machine. Your plugins allow same (or better!) analog veneer without me having to lose control of my mix by forever printing it to tape or recording it as a chunky WAV from a sampler. I couldn’t be more impressed. I’m actually proud to use this stuff.

Spencer Stephenson

AKA Botany, Austin producer