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Testimonials
OK, this stuff is scary… like someone’s been inside my brain hearing my aural fantasies… and then made them real. I’ll be figuring out things to do with all these plugins for years.
Multi-Grammy winning mix engineer (U2, Sheryl Crow, Peter Gabriel, Elvis Costello, The Black Keys, Cibo Matto)
CanOpener takes a great pair of headphones and makes them translate to speakers even better by introducing a little bit of crossfeed. What I like about Goodhertz take on this type of utility is they don’t introduce any type of correction or IR room simulation which has never worked for me.
The Goodhertz plugins, I really like, because they somehow spark more creativity, rather than trying to emulate something in particular.
Emmy Award-winning film composer (The White Lotus, Black Mirror, Utopia, Babygirl)
As a producer & mixer, I naturally lean toward destruction while still being very much in touch with the sonic infrastructure of what is at hand. Goodhertz plug-ins are the dream paint to my any canvas. They drip from everything I create…be it a big fat mess or a tight tidy corner. I just can’t stop reaching for them. every single color quenches my thirst for art. Get them all.
Miya Folick, Kim Gordon, Angel Olsen
I use Vulf Compressor on pretty much every song I make. I love it for bass, drums, guitar, and keys in particular. It brings out a particular warmness that I have not found in any other compression. It makes everything so much more buttery and old-school without diminishing the quality of sound. I love to use the Lohi plugin on backup vocals. I use the “tiney” setting often to create a distant and whispery atmosphere. I also use Lohi on drums, sometimes for a more muted and understated drum sound, which I like for certain ambient-style tracks. Goodhertz makes some of my favorite plugins! They truly elevate the sounds to the next level.